The 2009 MAP Fund online application is now open for registration.  Please keep in mind the following eligibility requirements:

• Applications must come from organizations based in the United States that have current nonprofit federal tax status - 501(c)(3). Artists or ensembles without 501(c)(3) status may apply to MAP through a fiscal sponsor.
• Organizations and artists must demonstrate at least 2 years professional experience.
• MAP supports only projects that contain a live performance.
• Eligible projects must not have premiered anywhere in the world before September 1, 2009.
• The touring or documentation of work that has already premiered is not eligible for funding.
• MAP does not fund projects whose main purpose is educational, for example art-in-the-schools or artistic training programs.
• Artists who are full-time students in degree granting programs at the time of application are not eligible.
• MAP does not fund organizations’ general operating expenses.
• MAP does not fund festivals or contests.
• Current employees or board members of Creative Capital, the Doris Duke Charitable Foundation or the Rockefeller Foundation, or immediate family members of such persons are not eligible.
• Artists who were MAP Fund recipients in 2007 and 2008 may apply again in 2010.

MAP supports most direct costs related to the conception, creation and premiere of a new work. These include but are not limited to commissioning fees and artists’ salaries, research costs, rehearsal and workshop expenses, promotion, and audience outreach and production costs up to and including the premiere run of the work.

To read more about the guidelines, visit http://www.mapfund.org/apply.html.  If you’re a fiscally sponsored project of Fractured Atlas and are interested in applying, please contact our staff at support@fracturedatlas.org.  The final day to register for the MAP fund through Fractured Atlas is December 31st.

It’s a fact, most artists want to up their income.  So get out there and jump on these opportunities.  Here’s a few good ones coming up in New York.

On September 24th from 9:00am - 12:00 pm check out Introduction to Grassroots fundraising for nonprofit organizations.  Learn how to create a compelling case for support, to deliver your pitch successfully and to raise more money from more people.  Led by Judy Levine and Gregory Cohen of Cause Effective:  Nonprofit Resource Development Center, the workshop will provide practical exercises to assess and improve your organization’s grassroots fundraising success.  There is no charge for this workshop - it’s free!  Check it out on Wednesday, September 24th at the Repertory at Hostos Community College.  The address is 450 Grand Concourse in the Bronx.  To register go to https://www.nycharities.org/event/event.asp?CE_ID=2896

Also, check out Basic Finance for Artist offered by the LMCC.  It’s a free, concentrated, six-week series of workshops that will help develop financial awareness and balance through practical training in money management. The program takes into consideration the complexity of artists’ income flow and diversity of artistic practices. Workshops provide a combination of seminar-style learning and hands-on group and individual exercises. Experts in the field and guest artists help lead the workshops and address issues that are relevant to artist-specific needs.

Artists who participate in this series of workshops will gain a better understanding of their financial profiles, specific goals, and contacts with the business community and other arts professionals. Participants will also receive a resource guide that will provide exercises, reference materials, and useful tips to continue to develop their skills. Location: Lower Manhattan Cultural Council, 125 Maiden Lane, 2^nd Floor, New York. Dates and time: Mondays, 4-7 PM / October 20 - November 24, 2008.  To register, go to http://app.formassembly.com/forms/view/36988

Theatre Development Fund’s (TDF) TAP Plus program, in partnership with the New York State Council on the Arts (NYSCA), makes available grants of up to $5,000 for open captioning.  This service is provided in order to increase attendance by people who are hard of hearing or deaf at cultural events that are open to the public in New York State.  TAP Plus is interested in applications from all regions in New York state.

The grant guidelines and application information  are available at http://www.tdf.org/Images/tap_plus_application08-09. Fiscally sponsored projects are eligible to apply through Fractured Atlas.

Examples of projects funded:

• A theatre seeking captioning for a performance
• A literature organization offering captioning for a reading
• An outdoor festival utilizing captioning for an arts demonstration
• A television station providing captioning for public broadcasting

Dutifully passing this along from our friends at The Public Theater:

FOR IMMEDIATE RELEASE:
Candi Adams/ Sam Neuman 212-539-8642 press@publictheater.org

THE PUBLIC THEATER NOW ACCEPTING APPLICATIONS FOR 2009 EMERGING WRITERS GROUP

GUIDELINES AVAILABLE ONLINE FOR SECOND YEAR OF THIS GROUNDBREAKING INITIATIVE

TIME WARNER CONTINUES AS FOUNDING SPONSOR

June 10, 2008 – Expanding on its history of developing new plays and cultivating new voices for the American theater, The Public Theater (Artistic Director Oskar Eustis, Executive Director Mara Manus) is now accepting applications for the second year of The Emerging Writers Group, an initiative that seeks to target playwrights at the earliest stages in their careers and nurture their artistic growth by providing necessary resources and support. In doing so, The Public hopes to create an artistic home for a diverse and exceptionally talented group of up-and-coming playwrights. This program is a component of The Public Writers Initiative, a long-term program that provides key support and resources for writers at every stage of their careers. Time Warner is the Founding Sponsor of The Public Writers Initiative.

The Public Writers Initiative fosters a web of supportive artistic relationships across generations of writers that will influence the future of contemporary American theater. Many of today’s most honored and recognized playwrights such as John Guare, Suzan-Lori Parks, David Rabe, Christopher Durang, Wallace Shawn, Ntozake Shange, Sam Shepard, Tony Kushner and Nilo Cruz have a long history developing their work at The Public. The Public has also produced some of today’s most important plays and musicals, such as Hair, Sticks and Bones, For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf, The Colored Museum, Topdog/Underdog, Caroline, Or Change, and A Chorus Line. The Public Writers Initiative ensures that The Public’s great tradition of supporting playwrights and playwriting will remain central to its future.

“The Emerging Writers Group represents one more way The Public Theater can throw open its doors to extraordinarily talented individuals and provide them with an artistic home,” said Artistic Director Oskar Eustis. “We were thrilled to receive over 700 applications last year and we ultimately selected a diverse group of writers, many of whom did not begin their playwriting careers through traditional channels. We look forward to welcoming twelve new playwrights to the Emerging Writers Group in 2009.”

“Nurturing new voices is a cornerstone of Time Warner’s arts philanthropy,” said Luis B. Castro, Executive Director of Philanthropic Initiatives at Time Warner. “Through the Emerging Writers Group, The Public has created an artistic home for a dozen gifted storytellers. We are excited to be moving into a second year of this initiative, helping bring career and development opportunities to more talented undiscovered and early-career writers.”

Through an open application process, The Public Theater will select 12 promising playwrights to join the Emerging Writers Group for one year.

Selected playwrights will receive a $3000 stipend. Works by Emerging Writers Group members will be presented in at least one reading at The Public. They will also participate in a biweekly writers group led by The Public’s Literary Department and master classes with established playwrights. Additionally, they will have a chance to observe rehearsals for productions at The Public, receive career development advice from mid-career and established writers, and receive artistic and professional support from the Literary Department and Public artistic staff. Members of the group will also receive complimentary tickets to Public Theater shows, invited dress rehearsals, and other special events, as well as a supplemental stipend for tickets to productions at other theaters.

Visit www.publictheater.org for application form and guidelines.

APPLICATION DEADLINE: AUGUST 29, 2008.

Materials must be postmarked by August 29th or received at The Public Theater by midnight on the 29th. Finalists will be contacted in early December to set up in-person interviews to be held at The Public Theater. All applicants will be notified of their status by mid-late December 2008. The program will begin in January 2009 and continue through the end of December 2009.

REQUIREMENTS FOR ELIGIBILITY:

Cannot have professional representation for playwriting including, but not limited to, agent, manager or lawyer.
Cannot be a full-time student during the duration of the program.
Cannot be enrolled in any academic playwriting course during the duration of the program.
Must not have had any productions in New York other than those using the showcase code or in an off-off-Broadway theater with 99 or fewer seats. (If your New York show used a higher contract tier than the showcase code, you are not eligible to apply. If your New York show received a festival production in a theater with more than 99 seats and did not use an Equity contract, you are eligible to apply.)
Must live within the tri-state area
Must be able to attend evening meetings at The Public Theater every other week in 2009 as well as other events throughout the year, such as master classes, retreats, observerships, and other special events at The Public.
Must be available for an in-person interview in early December 2008.
The Public Theater will select the strongest candidates based on the overall strength of the applicant’s play submission, artistic statement and interview. The Public will look for candidates from diverse backgrounds who show tremendous artistic promise and talent, as well as responsible and dedicated individuals who are serious about a career in the theater. The Public is especially interested in playwrights who have not begun their writing careers via the traditional channels. The selection committee will be comprised of Oskar Eustis, Artistic Director; Mandy Hackett, Associate Artistic Director; Liz Frankel, Literary Associate and other full-time artistic staff.

Applicants with questions are encouraged to refer to the Frequently Asked Questions posted on The Public’s website; questions not answered there may be emailed to EWGquestions@publictheater.org.

The Public Writers Initiative will fall under the auspices of the LuEsther Lab, named for the late LuEsther T. Mertz, who was a major benefactor of The Public and Chair of its Board from 1973 to 1987. The LuEsther Lab provides creative and financial support for artists at all stages in their careers through commissions, residencies, readings and workshops that have proven fundamental to The Public’s artistic success.

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THE PUBLIC THEATER (Oskar Eustis, Artistic Director; Mara Manus, Executive Director) was founded by Joseph Papp in 1954 as the Shakespeare Workshop and is now one of the nation’s preeminent cultural institutions, producing new plays, musicals, productions of Shakespeare, and other classics at its headquarters on Lafayette Street and at the Delacorte Theater in Central Park. The Public’s mandate to create a theater for all New Yorkers continues to this day on stage and through its extensive outreach and education programs. Each year, over 250,000 people attend Public Theater-related productions and events at six downtown stages, including Joe’s Pub, and Shakespeare in the Park. The Public has won 40 Tony Awards, 145 Obies, 39 Drama Desk Awards and 4 Pulitzer Prizes.

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The LuEsther T. Mertz Charitable Trust provides leadership support for The Public’s year-round activities.

Time Warner is the Founding Sponsor of The Public Writers Initiative, a program within the LuEsther Lab for New Play Development.

Major support for the LuEsther Lab comes from The Ford Foundation, The Harold and Mimi Steinberg Charitable Trust, The Andrew W. Mellon Foundation and The Ruth Easton Fund of the Edelstein Family Foundation. We are also deeply grateful to The Doris Duke Charitable Foundation for its leadership commitment to The Public Theater’s Endowment Fund in support of new work.

Major support for The Public Theater is provided by Bank of America, The New York State Music Fund, The Shubert Foundation, The Carnegie Corporation of New York, The George T. Delacorte Fund at the New York Community Trust—Fund for Performances at the Delacorte Theater in Central Park, and Warren Spector and Margaret Whitton. Pepsi is the official beverage sponsor and Bertani Wines is the official wine sponsor of The Public Theater.

Additional generous support is provided by Debra and Leon Black, The Horace W. Goldsmith Foundation, The Susan Stein Shiva Foundation and The Starr Foundation. Public support is provided by the New York City Department of Cultural Affairs and the New York State Council on the Arts, a state agency. Continental Airlines is the official airline of The Public Theater.