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Featured Member: Cara Winter

Name: Cara Winter
Website: www.carawinter.net
Hometown: New York, NY
Artistic Disciplines: writing, acting
Fractured Atlas Member Since: February 2002
Fractured Atlas Services Used: Fiscal Sponsorship, Health Insurance, Liability Insurance

Cara, tell us about your work in a few sentences.

For about a decade, my focus was on performing, and I worked and toured all over the country.  But I’ve always written, on the side.  I am often inspired by the work I’m doing as an actress; for instance, I wrote two children’s plays while teaching acting to children, and wrote a play about an alcoholic while on tour with… well, you get the picture.  Last summer, my first play, “Social Work”, was picked up and produced by the Manhattan Repertory Theatre; and I have three more adult plays, all in-progress: “Poker Face”, “Seeds”, and “Alan Alda sat next to me on a park bench”.

Cara Winter,

Who/what are your biggest influences?

David Auburn, Aaron Sorkin, and Amy Sherman-Palladino are my major writing influences.

What has been your greatest success to date?

As a performer, it would have to be playing to a packed Fox Theatre in St. Louis.  Incredible.   As a writer, it was when “Social Work” was produced at the Manhattan Repertory Theatre.  The actors were amazing, the director and co-producer were incomparable.  Then the “aftermath” of the play’s success was SO cool:  several requests came in from development types to read the play (one at the Public, one at the Flea, as well as a film producer).  It was an incredible experience, and I learned so much.

Cara Winter,

How do you use your Fractured Atlas membership?

Fractured Atlas has helped me to obtain liability insurance (when I produced a short film), fund-raise and promote my production/s, and network with other artists.  For a while, though, the most important aspect of my association with Fractured Atlas was access to health care.  Last August we welcomed our first child into the world (a son, Avery), so having good health coverage was a priority.  My husband is also a freelancer, so he doesn’t have coverage through an employer.  Without FA, I’m not sure what we’d have done!  Glad I didn’t have to think about that.

Finish this sentence: A world without art is…

lonely.

How can we see/hear/read/experience/learn more about your work?

Whenever I’m in production with a piece, I usually send my blurb to Fractured Atlas’s community calendar.  I also have recent news on my own website: www.carawinter.net

Images:
Top: “Social Work” by Cara Winter at Manhattan Repertory Theatre;
Catherine Gowl as “Margaret” and Stas May as “Geoff”.  Photo by N. Warren Winter.

Bottom: Cara Winter as The Ghost of Christmas Past, with Cork Ramer as Scrooge; National Tour of “A Christmas Carol”.

Public Theater Accepting Applications for 2009 Emerging Writers Group

Dutifully passing this along from our friends at The Public Theater:

FOR IMMEDIATE RELEASE:
Candi Adams/ Sam Neuman 212-539-8642 press@publictheater.org

THE PUBLIC THEATER NOW ACCEPTING APPLICATIONS FOR 2009 EMERGING WRITERS GROUP

GUIDELINES AVAILABLE ONLINE FOR SECOND YEAR OF THIS GROUNDBREAKING INITIATIVE

TIME WARNER CONTINUES AS FOUNDING SPONSOR

June 10, 2008 – Expanding on its history of developing new plays and cultivating new voices for the American theater, The Public Theater (Artistic Director Oskar Eustis, Executive Director Mara Manus) is now accepting applications for the second year of The Emerging Writers Group, an initiative that seeks to target playwrights at the earliest stages in their careers and nurture their artistic growth by providing necessary resources and support. In doing so, The Public hopes to create an artistic home for a diverse and exceptionally talented group of up-and-coming playwrights. This program is a component of The Public Writers Initiative, a long-term program that provides key support and resources for writers at every stage of their careers. Time Warner is the Founding Sponsor of The Public Writers Initiative.

The Public Writers Initiative fosters a web of supportive artistic relationships across generations of writers that will influence the future of contemporary American theater. Many of today’s most honored and recognized playwrights such as John Guare, Suzan-Lori Parks, David Rabe, Christopher Durang, Wallace Shawn, Ntozake Shange, Sam Shepard, Tony Kushner and Nilo Cruz have a long history developing their work at The Public. The Public has also produced some of today’s most important plays and musicals, such as Hair, Sticks and Bones, For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf, The Colored Museum, Topdog/Underdog, Caroline, Or Change, and A Chorus Line. The Public Writers Initiative ensures that The Public’s great tradition of supporting playwrights and playwriting will remain central to its future.

“The Emerging Writers Group represents one more way The Public Theater can throw open its doors to extraordinarily talented individuals and provide them with an artistic home,” said Artistic Director Oskar Eustis. “We were thrilled to receive over 700 applications last year and we ultimately selected a diverse group of writers, many of whom did not begin their playwriting careers through traditional channels. We look forward to welcoming twelve new playwrights to the Emerging Writers Group in 2009.”

“Nurturing new voices is a cornerstone of Time Warner’s arts philanthropy,” said Luis B. Castro, Executive Director of Philanthropic Initiatives at Time Warner. “Through the Emerging Writers Group, The Public has created an artistic home for a dozen gifted storytellers. We are excited to be moving into a second year of this initiative, helping bring career and development opportunities to more talented undiscovered and early-career writers.”

Through an open application process, The Public Theater will select 12 promising playwrights to join the Emerging Writers Group for one year.

Selected playwrights will receive a $3000 stipend. Works by Emerging Writers Group members will be presented in at least one reading at The Public. They will also participate in a biweekly writers group led by The Public’s Literary Department and master classes with established playwrights. Additionally, they will have a chance to observe rehearsals for productions at The Public, receive career development advice from mid-career and established writers, and receive artistic and professional support from the Literary Department and Public artistic staff. Members of the group will also receive complimentary tickets to Public Theater shows, invited dress rehearsals, and other special events, as well as a supplemental stipend for tickets to productions at other theaters.

Visit www.publictheater.org for application form and guidelines.

APPLICATION DEADLINE: AUGUST 29, 2008.

Materials must be postmarked by August 29th or received at The Public Theater by midnight on the 29th. Finalists will be contacted in early December to set up in-person interviews to be held at The Public Theater. All applicants will be notified of their status by mid-late December 2008. The program will begin in January 2009 and continue through the end of December 2009.

REQUIREMENTS FOR ELIGIBILITY:

Cannot have professional representation for playwriting including, but not limited to, agent, manager or lawyer.
Cannot be a full-time student during the duration of the program.
Cannot be enrolled in any academic playwriting course during the duration of the program.
Must not have had any productions in New York other than those using the showcase code or in an off-off-Broadway theater with 99 or fewer seats. (If your New York show used a higher contract tier than the showcase code, you are not eligible to apply. If your New York show received a festival production in a theater with more than 99 seats and did not use an Equity contract, you are eligible to apply.)
Must live within the tri-state area
Must be able to attend evening meetings at The Public Theater every other week in 2009 as well as other events throughout the year, such as master classes, retreats, observerships, and other special events at The Public.
Must be available for an in-person interview in early December 2008.
The Public Theater will select the strongest candidates based on the overall strength of the applicant’s play submission, artistic statement and interview. The Public will look for candidates from diverse backgrounds who show tremendous artistic promise and talent, as well as responsible and dedicated individuals who are serious about a career in the theater. The Public is especially interested in playwrights who have not begun their writing careers via the traditional channels. The selection committee will be comprised of Oskar Eustis, Artistic Director; Mandy Hackett, Associate Artistic Director; Liz Frankel, Literary Associate and other full-time artistic staff.

Applicants with questions are encouraged to refer to the Frequently Asked Questions posted on The Public’s website; questions not answered there may be emailed to EWGquestions@publictheater.org.

The Public Writers Initiative will fall under the auspices of the LuEsther Lab, named for the late LuEsther T. Mertz, who was a major benefactor of The Public and Chair of its Board from 1973 to 1987. The LuEsther Lab provides creative and financial support for artists at all stages in their careers through commissions, residencies, readings and workshops that have proven fundamental to The Public’s artistic success.

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THE PUBLIC THEATER (Oskar Eustis, Artistic Director; Mara Manus, Executive Director) was founded by Joseph Papp in 1954 as the Shakespeare Workshop and is now one of the nation’s preeminent cultural institutions, producing new plays, musicals, productions of Shakespeare, and other classics at its headquarters on Lafayette Street and at the Delacorte Theater in Central Park. The Public’s mandate to create a theater for all New Yorkers continues to this day on stage and through its extensive outreach and education programs. Each year, over 250,000 people attend Public Theater-related productions and events at six downtown stages, including Joe’s Pub, and Shakespeare in the Park. The Public has won 40 Tony Awards, 145 Obies, 39 Drama Desk Awards and 4 Pulitzer Prizes.

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The LuEsther T. Mertz Charitable Trust provides leadership support for The Public’s year-round activities.

Time Warner is the Founding Sponsor of The Public Writers Initiative, a program within the LuEsther Lab for New Play Development.

Major support for the LuEsther Lab comes from The Ford Foundation, The Harold and Mimi Steinberg Charitable Trust, The Andrew W. Mellon Foundation and The Ruth Easton Fund of the Edelstein Family Foundation. We are also deeply grateful to The Doris Duke Charitable Foundation for its leadership commitment to The Public Theater’s Endowment Fund in support of new work.

Major support for The Public Theater is provided by Bank of America, The New York State Music Fund, The Shubert Foundation, The Carnegie Corporation of New York, The George T. Delacorte Fund at the New York Community Trust—Fund for Performances at the Delacorte Theater in Central Park, and Warren Spector and Margaret Whitton. Pepsi is the official beverage sponsor and Bertani Wines is the official wine sponsor of The Public Theater.

Additional generous support is provided by Debra and Leon Black, The Horace W. Goldsmith Foundation, The Susan Stein Shiva Foundation and The Starr Foundation. Public support is provided by the New York City Department of Cultural Affairs and the New York State Council on the Arts, a state agency. Continental Airlines is the official airline of The Public Theater.

Public Theater Aims to Incubate Emerging Playwrights

The Public Theater has announced a new program to “nurture promising talent in an effort to cultivate new voices for the American theater.”

The Public intends to accept 12-15 playwrights to join the Emerging Writers Group for one year. Each will receive a $3,000 stipend and participate in a biweekly writers group led by the Public’s Literary Department and master classes with established playwrights. Additionally, they will have a chance to observe or assist playwrights in rehearsal for a production at the Public. Career development advice and artistic support will be provided by a variety of successful writers and the Public artistic staff. Works by Emerging Writers will be presented in at least one reading at The Public. Members of the group will also receive complimentary tickets to Public Theater shows and a supplemental stipend for tickets to productions at other theaters.

Applications are being accepted through August 31.

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